Venezuela: Orchestra Simon Bolivar from Venezuela during a presentation at Sala Sao Paulo, Julio Prestes Cultural Complex, Sao Paulo - SP - Brazil.

country

Venezuela

Harps on the plains, gaitas in Maracaibo, and the sonero who conquered the world.

7
genres
29
artists
1950s–2020s
timeline

Photo: Marcio De Assis / CC BY-SA 3.0

Listen through Venezuela

5 defining tracks in the order they were released, from 1975 to 2016, each with a line on why it matters.

Preview: plays 5 of 15 tracks.

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Venezuela's music runs from the vast cattle plains to the Caribbean coast. Its soul is joropo, the harp-and-cuatro music of the llanero cowboy that gave the world Alma Llanera and Simón Díaz's endlessly covered Caballo Viejo. Maracaibo answers with gaita, the swinging protest music of the December festivals, while Caracas built a ferocious salsa scene that produced Óscar D'León. From the balada stars of the 1980s to the rock underground and today's diaspora urbano, it is a country that keeps reinventing its sound.

JoropoGaitaSalsa venezolanaMusica bailableVenezuelan popVenezuelan rockUrbano venezolano

Frequently Asked Questions

What music is Venezuela known for?+

Venezuela is best known for joropo, the harp-and-cuatro music of the llanero plains whose anthem Alma Llanera serves as an unofficial national song, and for gaita zuliana, the swinging folk music of Maracaibo tied to the December festivities. It also built a fierce salsa scene that produced Óscar D'León, a strong balada-pop tradition led by stars like Franco De Vita and Ricardo Montaner, and a modern diaspora wave from Danny Ocean to the Latin Grammy-winning Rawayana.

What is joropo?+

Joropo is the national music of the Venezuelan and Colombian plains, played on harp or bandola, cuatro, and maracas over a fast, waltz-like rhythm. It is the music of the llanero cowboy, with lyrics about the grasslands, cattle work, and love. Its most famous piece, Alma Llanera, is treated as a second national anthem, and Simón Díaz's tonada Caballo Viejo became one of the most covered Latin songs ever written.

Who is the most famous Venezuelan musician?+

Two names stand out. Simón Díaz, known as Tío Simón, is the country's most beloved composer, whose Caballo Viejo has been recorded worldwide and adapted into the Gipsy Kings hit Bamboléo. In salsa, Óscar D'León is an international giant known as El Sonero del Mundo. Among younger artists, Danny Ocean and the band Rawayana, who won the 2024 Latin Grammy for Album of the Year, have carried Venezuelan music back onto the global stage.

What is gaita zuliana?+

Gaita zuliana is the folk music of Maracaibo and Zulia state in western Venezuela, played on cuatro, tambora, the friction drum furro, and the charrasca scraper. Traditionally performed during the December festivities honoring the Virgin of Chiquinquirá, it ranges from joyful celebration to biting social and political protest. Ricardo Aguirre made it a vehicle for popular grievance, and the band Guaco grew out of the gaita scene before evolving into its own tropical fusion.

What modern Venezuelan artists are popular now?+

The Venezuelan diaspora has produced a wave of global success. Danny Ocean scored a worldwide streaming hit with Me Rehúso, the band Rawayana won the Latin Grammy for Album of the Year in 2024, and songwriter Elena Rose has become a sought-after hitmaker across Latin pop. They join established stars like Óscar D'León and Ricardo Montaner, who both remain active, as the contemporary face of Venezuelan music.

Last reviewed: 2026-07

The Story Behind

The stories behind Venezuela's defining songs

Sources & References

  1. 1
    Música popular de Venezuela — José Peñín, 1999Book
  2. 2
    Joropo — Wikipedia, 2026
  3. 3
    Gaita zuliana — Wikipedia, 2026
  4. 4
    Simón Díaz — Wikipedia, 2026
  5. 5
    Music of Venezuela — Wikipedia, 2026

Further Reading

About This Article

This page is based on documented music history, artist biographies, chart data, award records, and cross-referenced sources from music journalism and academic research.

Curated by the timeline.music editorial team.

▸Read the timeline as text

The sound of Venezuela, decade by decade: 7 genres and 29 artists, from the 1950s to the 2020s.

1950s
Joropo with Aldemaro Romero; Música Bailable with Billo's Caracas Boys.
1960s
Joropo with El Carrao de Palmarito, Simón Díaz and Aldemaro Romero; Gaita Zuliana with Ricardo Aguirre; Salsa Venezolana with Federico y su Combo; Música Bailable with Billo's Caracas Boys and Los Melódicos.
1970s
Joropo with El Carrao de Palmarito, Simón Díaz, Reynaldo Armas, Cristóbal Jiménez, Aldemaro Romero, Soledad Bravo and Cecilia Todd; Gaita Zuliana with Gran Coquivacoa, Maracaibo 15 and Guaco; Salsa Venezolana with Federico y su Combo, Dimensión Latina and Óscar D'León; Música Bailable with Billo's Caracas Boys and Los Melódicos; Venezuelan Pop with José Luis Rodríguez.
1980s
Joropo with El Carrao de Palmarito, Simón Díaz, Reynaldo Armas, Cristóbal Jiménez, Aldemaro Romero, Soledad Bravo and Cecilia Todd; Gaita Zuliana with Gran Coquivacoa, Maracaibo 15 and Guaco; Salsa Venezolana with Dimensión Latina and Óscar D'León; Música Bailable with Billo's Caracas Boys and Los Melódicos; Venezuelan Pop with José Luis Rodríguez, Yordano, Ilan Chester, Franco De Vita and Ricardo Montaner; Venezuelan Rock with Sentimiento Muerto, Zapato 3 and Desorden Público.
1990s
Joropo with Simón Díaz, Reynaldo Armas, Cristóbal Jiménez, Aldemaro Romero, Soledad Bravo and Cecilia Todd; Gaita Zuliana with Gran Coquivacoa, Maracaibo 15 and Guaco; Salsa Venezolana with Óscar D'León; Música Bailable with Los Melódicos; Venezuelan Pop with José Luis Rodríguez, Yordano, Ilan Chester, Franco De Vita and Ricardo Montaner; Venezuelan Rock with Sentimiento Muerto, Zapato 3, Desorden Público and Los Amigos Invisibles.
2000s
Joropo with Simón Díaz, Reynaldo Armas, Cristóbal Jiménez, Soledad Bravo and Cecilia Todd; Gaita Zuliana with Gran Coquivacoa, Maracaibo 15 and Guaco; Salsa Venezolana with Óscar D'León; Música Bailable with Los Melódicos; Venezuelan Pop with José Luis Rodríguez, Yordano, Ilan Chester, Franco De Vita and Ricardo Montaner; Venezuelan Rock with Zapato 3, Desorden Público and Los Amigos Invisibles; Urbano Venezolano with Chino y Nacho.
2010s
Joropo with Reynaldo Armas, Cristóbal Jiménez and Cecilia Todd; Gaita Zuliana with Gran Coquivacoa and Guaco; Salsa Venezolana with Óscar D'León; Venezuelan Pop with Yordano, Ilan Chester, Franco De Vita, Ricardo Montaner and Lasso; Venezuelan Rock with Desorden Público and Los Amigos Invisibles; Urbano Venezolano with Chino y Nacho, Danny Ocean and Rawayana.
2020s
Salsa Venezolana with Óscar D'León; Venezuelan Pop with Ricardo Montaner and Lasso; Venezuelan Rock with Desorden Público; Urbano Venezolano with Danny Ocean and Rawayana.

The Hitlist

The defining tracks from this region

Preview: 5 of 15 tracks

1 / 15
1
#1 on the Hitlist

Caballo Viejo

Simón Díaz
1980joropo

Simón Díaz, affectionately known as Tío Simón, is the most beloved figure in Venezuelan music. A singer, composer, and television host from the state of Aragua, he devoted his life to elevating the tonada, the pastoral song of the llanero cattle herders, into a refined art form. His Caballo Viejo became one of the most covered Latin songs in history, recorded by Celia Cruz, Julio Iglesias, Plácido Domingo and hundreds more, and adapted into the Gipsy Kings smash Bamboléo. He received a Latin Grammy for lifetime achievement before his death in 2014.

YouTube

Backstory

The story behind the song
Simón Díaz liked to tell the story himself. In 1980 he travelled to the Venezuelan plains to record a programme and met a young woman named Maigualida. By his account, they fell for each other, though only for that moment. That night he began reciting verses to her, and a young man stood up to answer him. What followed was a contrapunteo, the improvised sung duel of the llanos, and it went on for more than an hour. It was a wonderful duel, Díaz remembered, and only afterwards did he learn who his rival was: her boyfriend. The next morning he sat down and wrote Caballo Viejo in a single burst, drawing on that night and the verses he had made for her. The first recording was made by the singer Mirtha Pérez under Díaz's own guidance, and he released it on his 1980 album Golpe y Pasaje. From there the song escaped the plains entirely. It has been translated into twelve languages and recorded around 300 times, by artists as different as Celia Cruz, Julio Iglesias, Rubén Blades, Ry Cooder, Plácido Domingo and Juan Gabriel. A version by Roberto Torres received a Latin Grammy Hall of Fame award in 2007, and the song reached many more ears when the Gipsy Kings folded it into their medley Bamboleo, with Díaz credited as a writer. A verse duel lost to a boyfriend on the llanos became one of the most travelled songs Venezuela has ever produced.